We may be closed for renovations but you can still get your dose of joy and wonder from our virtual exhibitions.
In this Virtual Visit, Kisame b
rings heaven closer to earth through a photo exhibition of some of the most notable ceiling paintings found in 17 Churches from Bohol.
Co-curated by Fr. Ted Torralba and Ken Esguerra, Kisame illustrates our heritage in the context of ecclesiastical art through photographs taken by Atty. Paquito Ochoa, Jr. These religious images are the remaining works of two pioneering Cebuano artists, Raymundo Francia and Canuto Avila, executed during the first half of the twentieth century.
This virtual tour of the Art & the Order of Nature in Indigenous Philippine Textiles exhibition examines the universal principles of design expressed in the traditional weaving arts.
Presented in collaboration with the Prince's School of Traditional Arts in London, the exhibition features a selection from 110 piece textile collection donated by Mercedes Zobel to Ayala Museum, analysed through the lens of geometric and biomorphic design.
This unique exhibition tells the story of a re-imagined antiquity through a series of portraits inspired by the ancient histories of Indochina, the East Indies, and the Philippine Archipelago. It transforms our gallery into a warehouse that celebrates the complex heritage and shared culture of Southeast Asia from the Philippine perspective.
To go on a virtually guided tour with narration by the artist himself, visit:
Experience Fernando Zobel's art with a virtual visit to his exhibition, Toward Abstraction, with narration by our senior curator.This is Part 1 of a 6-part video tour.
You can watch the full tour at: http://bit.ly/ZobelVV
( currently closed for renovations)
Our Diorama Experience exhibition has been synonymous with the Ayala Museum for the past thirty-five years. The sixty dioramas are designed to be a comprehensive visual approach to Philippine history.
But more than that, they present the narrative of the story of the Philippine people in a way that compresses extensive research on the events, architecture, costumes, technologies and topographies of the times they represent. History is thus made more meaningful with the sense of immediacy the presentation provides; the sense of “being there as it happens”.
Ayala Museum reserves a section in its galleries to permanently feature the works of Fernando Zobel (1924-1984), the man behind its foundation.
The collection includes the artist’s paintings, sketches, prints and photographs put on display in regularly changing exhibitions. The gallery also houses a representation of his art studio in Cuenca, Spain, where he worked and resided in the latter part of his life.
This exhibition of 1,059 gold objects dating to the tenth to thirteenth century celebrates the sophisticated cultures that flourished in the islands that came to be known as the Philippines after western colonization in the sixteenth to the twentieth century.
While some of the objects found in this collection are likewise represented in other collections, many objects in this exhibit are unique and have never been seen in public.
A Millennium of Contact: Chinese and Southeast Asian Trade Ceramics in the Philippines includes almost six hundred Chinese and Southeast Asian ceramics on long-term loan from the Roberto T. Villanueva Foundation. It is one of the most comprehensive collections of Chinese and Southeast Asian tradeware found in the Philippines.
Displayed are close to 500 ceramic objects dating from 9th-19th century featuring a wide variety of ware — from classic monochrome or single-colored ware to the very popular blue-and-white ware, recovered from across the archipelago.
Art and the Order of Nature in Indigenous Philippine Textiles consists of 111 textiles from the donation of Mercedes Zobel, representing indigenous communities in the Philippines from the Cordilleras in northern Philippines and from Mindanao in the south, including the Muslim regions in Western Mindanao and the Sulu archipelago.
In collaboration with the Prince’s School of Traditional Arts in London, the exhibition provides a new way seeing indigenous Philippine textiles. Using traditional geometry and biomorphic design principles, the artists of the Prince's School analyzed a selection from the Mercedes Zobel Collection. Showcased alongside the actual objects in the exhibition, the analyses illustrate how Philippine indigenous textiles, like other great traditions, reflect the universal order of nature.